Sunday 12 February 2012

History of me and music part II

so here are snippets from my lecherous musical past - recordings of each band i was part of dating from 1991 - 2004.

spastic carcass - kill tim (1991)
a recording from my infamous first band way back when i was nearly 15. usually we only had a drum machine behind our songs but at this time we actually found a drummer. i only have two songs of this band where we recorded with an actual drummer. it is me singing. can you tell i made the lyrics on the spot?? i can't remember what had happened but tim (thumbnail), our bassist, had really annoyed me hence the title. it was recorded at a practice. we had the riff ideas in place beforehand. chris (i think that was his name!) the drummer improvised. i remember us playing the recording of the practice when we got home - tim had no idea what i had been singing until that point - i don't think he was too pleased.


scab sausage - puddle/the bug (1994)
the band i had with a friend called marcus. it is me on bass on this song. the song changes from "puddle" to "the bug" at around the 4.10 mark. the bug took its name from the dance craze in the film "hairspray".


inamorato - painting with multi-colours (1996)
song taken from our first demo. i played guitar on this and did the black metal type of screaming on the end riff (don't like my voice on this song - it wasn't harsh enough). i was usually given the basic riffs of the songs we did and made them pretty with my guitar work. we recorded the demo at a studio based in the warren building in hull. this is part of the demo we mailed to record companies (without success).


brutal insanity - religious inveigle (1998)
off the 2nd demo i recorded with the deathgrind band. i think this marked the end of brutal insanity phase I - the music arrangements became more complex after this. this was a song that they had initially recorded a year previous to me joining on another demo but i liked the song for its ferocity and knew with me in the band we could record it a million times better. rich, the vocalist, wanted me to do the solo at the end and i hadn't written one, so i just did my best impression of trey azagthoth from "morbid angel".


mouthful of grub - grot (1999)
a track from my grindcore band. this is taken from our 2nd demo "sweet sickteen".i wrote everything and played everything in this band apart from drums. funny how this demo keeps popping up as a split cd with various below-par grindcore bands and the drummer gets all the $$ as he copyrighted it before i could! nice eh? again, this was recorded at the warren studios in hull. the deal at the studio was that you recorded from 9-5 on day one and on day two you mixed it. i remember the engineers face when on day one he asked me "so how many songs are we recording today?" my answer was 17! the norm would be around 2-3! but i got it done.


atheist is your stable mind - motion sickness (2000)
these recordings stem from the time i was in x.amp.L3 in which the main riffs from that band where used on the motion sickness demos. lee (our bassist) did all the arrangements. it took him months to put all the fragments and riffs together into coherent songs. then he would add tims emcee and my screams. very complex music and processes. it was more of a science project than music, which i didn't enjoy too much.


jenny - voice (2004)
i had been listening a lot to mike pattons "adult themes for voice" and "pranzo oltranzista" albums and yamantaka eyes work. the recordings were done initially for a joke. i was at my parents house with my youngest brother nicholas. the idea came up for me to interpret people he knew in song form. i recorded it in the kitchen using my guitar amp and a vintage microphone i picked up from a charity shop. the recordings became something of a cult with his friends. i got other people coming up to me to ask me to record a song about them.

after all of these bands is when i started to sit in my room night after night and come up with the initial ideas for future work including hence the hat.



Friday 10 February 2012

ride the plaid wave

"automatic joy"
no the title is not a reference to the dresden dolls but it is named after a band in the mid 90s in my home town of hull. of all the different types of music i write and record this is the last of my fake bands to show (mike tv). actually i just realised that i have another set of songs that have a electro disco feel but they never got tied under a name. maybe i post one sometime. anyway i digress!
as an adolescent in the 90s i stayed away from all the britpop stuff and embraced the music from across the pond. those were the days! god i sound old! the smashing pumpkins with siamese dream, hole, pavement, mudhoney and sonic youth. (was not keen on nirvana though).
for years when it came time for me to do a guitar solo i'd just improvise as fast as i could, throwing finger tapping, harmonics and whammy bars into the mix, but when you are trying to solo over a grunge, shoegaze type riff it obviously doesn't work too well.
this song kinda reminds me of the pumpkins "why am i so tired". i could've kept playing over the chord sequence for aeons. i think i recorded two solos and merged the best bits.








mother! blood!

"theme from psycho"
i was sifting through recordings i did in the last year to try and post something death metally - which could've fit under the spastic carcass moniker. so here it is! psycho was etched into my memories since childhood. i remember my parents going out for the evening and my goth babysitter letting me stay up to watch it. at a guess i would say i was 8 years old.
i think that the main theme from psycho is arguably the greatest movie soundtrack of all time. it really suits it. so discordant and those sharp violin slashes within the piece (not the ones in the shower scene) actually feel like they could cut.
for this project i tried to figure out what each instrument in the original was playing and transferred that to guitars. i couldn't believe a death metal or heavy metal band hasn't made a good stab (no pun intended) of covering this. i just hope people will think i have!
the sample actually comes from psycho II. i could've opted for a more famous sample but i just adore this one. his real mother just turns up and tells him that he is her son, they chat then he bludgeons her to death with a shovel. not before calmly asking her if she would like a sandwich. classic!




Thursday 9 February 2012

hence the hat


"all for a girl"
this is one of my favourite songs i have written. i wrote this way back in 2005 but didn't record it properly until last year. usually i'll chop and change riffs in songs all the time but this one has stayed in the same form since i wrote it. i know to take the song to the next level it really needs vocals but i always get stumped with this one when trying to write vocal melodies as the first chord sequence is nearly identical to the pumpkins song "real love" - so i always get billy corgans lines in my head.
this is from my "hence the hat recordings", so i have now posted a hence the hat recording, a dads mod porn club number, (chocadooby) a baal ov one (symbols in the sand) and torture garden (for wherever they are).
i have mike tv and spastic carcass ones to follow. then i am thinking of posting a song from each of my other bands since i was 12 and hopefully after that i'll be getting some new material up here!

Wednesday 8 February 2012

!!!chocadooby!!!

 

"Chocadooby"
so this is a song i did under the band name of "dads mod porn club". i used that band name for all my silly, funny or offensive music i recorded (which was quite a lot last year!)
i absolutely love kinder surprise. i love them especially for the crappy toys inside. i took samples from the creepy kinder surprise advert from the 80's where a sinister humpty dumpty character talked in a gobbledegook language. most of the riffs i basically ripped from the band "fantomas". 
towards the end of the song you can hear me saying "mom i really want a kinder egg!". 


Saturday 4 February 2012

Black Metal! \m/


"symbols in the sand"
 in my very first post i described how last year i had written so many different styles of music that i couldn't possibly pigeon-hole them all under one name. this is a song i wrote late on last year under my black metal moniker "baal ov". again it is me playing everything. i think all in all it took around 200 seperate tracks to record. the audacity program only allows you 16 tracks. to get over this i export the 16 tracks and re-import them as one track thus allowing me to add further tracks.
the title was originally "swastikas in the sand". i always find it easier to write black metal music during the winter months, the season lends itself well to the music. black metal in itself incorporates so many different styles. i guess it is a broad term that ranges from the stripped down apocalyptic sound of early burzum and dark throne, the folk elements that many bands including ulver and primordial integrate within their music to the majestical and epic compositions of abigor (whom are my absolute favourites in the genre).
i have a few other songs recently written in this style but not to a standard i would like. i guess maybe my next song will also be in this mode.